Ground Control Touring

Graham Hunt has an intuitive ability to carve out his own space within the long, confusing history of American pop music. The Wisconsin-based songwriter has spent the past four years hard at work building a trilogy of records that synthesize timeless guitar pop chops with a layered approach to production and a sly lyrical eye. His music balances the surreal with the quotidian, the melodic with the rhythmic, the cryptic with the triumphant–often proving that slacker playfulness and Heartland earnestness are not mutually exclusive. Timeless World Forever, the final entry in this trilogy and Hunt’s first release for Run For Cover, provides closure on a formidable body of songs while opening the gates for a new stage in the artist’s long, prolific career.
For years Hunt has been a staple of the Midwest indie rock world, dating back to his time leading Midnight Reruns and performing with acts like Mike Krol and Disq. In 2019 he released his first solo record, Leaving Silver City, but it was 2022’s If You Knew Would You Believe It? where he hit his stride. The album was quickly followed by Try Not To Laugh in 2023, and now Timeless World Forever picks up those threads. The three records are of a piece: all made in the same Madison basement with a beat-driven density and sonic imagination that is as indebted to rap and rave as power pop. “I learned Ableton and developed a cut-and-paste production style that I hadn’t previously used on any of my other records,” Hunt explains. “I thought, I’ll do a trilogy of albums like this, characterized by the recording location and style, but also by an overarching theme. The records represent a dialectical process: If You Knew Would You Believe It? suggests a preoccupation with material reality where Try Not To Laugh is a reaction to that, rejecting it and living in a world of ideas, emotion, and spirituality. Timeless World Forever is the synthesis, the process of one resolving its contradictions by passing through its own shadow. And in my mind, all three take place in the same universe, a sort of imaginary magic realist version of Madison.”
The album comes to life immediately with its expansive opening track, “I Just Need Enough.” The song introduces the core elements of Hunt’s sound: a collage style that’s equal parts intricate and immediate, and it’s defined as much by the songwriting as the recording choices. “I tried to approach the recording process like I was making a modern pop record,” he says. “I cut and paste things together to build a song as if I’m using MIDI instruments, but instead I use clips that I recorded of myself or my friends playing real instruments. I see it like the DAW is a canvas where you can paint a picture of an imaginary band.”
About those songs: “Power Object” is an Upper Midwest pop masterclass that hits like a lost jam session between Morris Day and Paul Westerberg; the Beck-like “East Side Screamer” sits next to “Ego Trippin’ (Part Two)” by De La Soul in the pantheon of songs with great screams; “Frog In The Shower” has three separate sections good enough to be a chorus. Timeless World Forever is filled with those little pop moments, the ones that separate a decent song from a great song; in aggregate, they add up. These are songs that trigger compulsive listening habits.
Hunt’s lyrics are often as intricate as the songs they’re contained in. “This record’s biggest theme is acceptance,” he says. “If If You Knew Would You Believe It? was cynical and Try Not To Laugh was speculative, then this one accepts the existence of both worldviews under the same sky.” The song’s characters are preoccupied trying to find peace within their circumstances: they’re accepting change in interpersonal relationships, accepting a confusing and upsetting world, accepting an ass whoopin’, accepting indecisiveness, endings, failure – even accepting acceptance itself.
It’s hard to look backwards and forwards at the same time without getting your wheels stuck in some sludgy atemporal mud. By sheer force of commitment, Hunt has made a body of music that makes an argument for experimentation within a tradition— one that invokes both familiarity and mystery. Timeless World Forever is the culmination of a half-decade of growth; it’s the sound of a lifer revving up, shifting into a higher gear, pressing his foot on the pedal, and attacking the highway.