Rolling Stone | How Joyce Manor Made Their Best Record Yet: ‘Doing What We Always Do Is What Got Us Here’
Nearly 20 years into their career, the California pop-punkers keep leveling up
Nearly 20 years into their career, the California pop-punkers keep leveling up
I Used To Go To This Bar is out on Friday. Joyce Manor are gearing up for their most ambitious outing yet. It’s a record that feels nostalgic yet also completely original at the same time.
Dylan Carlson stops by to tell us what he's been into.
Joyce Manor releases their seventh album “I Used to Go to This Bar” this month, produced by Bad Religion’s Brett Gurewitz. The South Bay pop-punk legends explore economic anxiety and suburban alienation, themes rooted in their Torrance and Long Beach upbringing. After nearly two decades and recent tours with Weezer, the longtime Epitaph Records act performs Coachella this spring.
The original version was the title track of SPELLLING’s 2025 LP.
For ‘Skate Story’, the mysterious masked experimentalists from New Jersey recorded everyday city sounds and set them to danceable electro-pop songs
Lindsey Jordan previews her highly-anticipated third record with the nostalgic rocker “Dead End”
In about a month, the great American songwriter Bill Callahan will release his new album My Days Of 58. He introduced the project to us with the self-portrait "The Man I'm Supposed To Be," then followed it by looking outward with "Lonely City." He's got a third advance track out now.
Lindsey Jordan’s first record in five years is out March 27
The wiggy London post-punk project has been putting out records since 2018, and it's got a live lineup that includes a bunch of people from the DIY punk universe.
Vocalist KT Thompson and drummer Chris Salado on the Atlanta punks’ battle against social injustice and their Ty Segall–produced Domino debut, I’m Nice Now.